Lukas Nelson, Doobie Decibel David Thom & Don Rigsby, The MHI All-Stars Featuring Aaron Redner and Hot Buttered Rum Plus Special Guest Sit-in from BOB WEIR!

A Benefit for Music Heals International

Lukas Nelson, Doobie Decibel David Thom & Don Rigsby, The MHI All-Stars Featuring Aaron Redner and Hot Buttered Rum Plus Special Guest Sit-in from BOB WEIR!

Tuesday, May 26, 2015

Doors: 7:30 pm / Show: 8:00 pm

$35 Advance/$40 Day of show/$60 VIP

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This event is all ages

Please join MHI and SWMH for A Magical Evening of Music Benefiting the Children of Haiti and to Support the Continuing Great Work of Sara Wasserman & Music Heals International.

Lukas Nelson
Lukas Nelson
Lukas first picked up the guitar at age 11 to honor a promise he made to his father and was able to teach himself the craft by playing along to classic Stevie Ray Vaughn and Jimi Hendrix songs. Now at age 24, Lukas is building his following the old fashioned way by touring year round and delivering high energy performances to fans across the country. Lukas Nelson and P.O.T.R. have performed over 400 shows in the past 3 years and have played with the likes of Neil Young, John Fogerty, Bob Weir, B.B. King, and Bob Dylan. The band has self-released 4 records and will look to put out their next full length album in 2015.
Doobie Decibel System feat Jason Crosby and Roger McNamee
Doobie Decibel System feat Jason Crosby and Roger McNamee
Doobie Decibel System: duo of Jason Crosby on guitar/fiddle and Roger McNamee on guitar. Original and classic psychedelic. Acoustics with tight harmony.

Over the last decade, Jason Crosby has been a member of Robert Randolph and the Family Band and the Susan Tedeschi Band, among others. In recent years, Crosby has played with Bob Weir, Phil Lesh, Carlos Santana, Pete Seeger, Eric Clapton, Bruce Springsteen and Dave Matthews in various configurations. His discography is equally as impressive with appearances on Anastasia’s multi-platinum hit “Freak of Nature” as well as Tedeschi’s Grammy Nominated “Wait for Me”; and more recent releases from Phillip Phillips, Pretty Lights, Robert Randolph, Teddy Thompson and many more.

Roger McNamee performs more than 100 shows a year in the band Moonalice, where he is the lead vocalist and plays bass and guitar. In Moonalice Roger pioneered the use of social media in music, inventing such applications as Twittercast concerts, Moonalice radio on Twitter, live MoonTunes TM (streaming video) concerts, and the Moonalice Couch Tour TM. The band’s website (Moonalice.com) enables fans to listen to any song or show and to watch every concert on a smartphone without an app. Moonalice is renowned for the quality of poster art associated with the band. Moonalice’s single, “It’s 4:20 Somewhere” has been downloaded more than 5 million times.
Hot Buttered Rum
Hot Buttered Rum
"Stunning instrumental and vocal virtuosity."
–– Relix Magazine

"Few things rejuvenate the soul like a warm fireside drink after an exhausting day in the snow. Hot Buttered Rum has that effect. Their original songs are instantly familiar and inviting, and their easygoing versions of timeless classics (the Beatles, Hank Williams) belie the intricacy of the arrangements."
–San Francisco Chronicle

Hot Buttered Rum lives for songs. Songs to sing in the shower. Songs to crank through your earbuds at the DMV. Songs to name your babies after, and then make more babies to. The band's three songwriters — Aaron Redner, Nat Keefe and Erik Yates — spin tales about the good times, the bad times, and the roads in between, and belt them from the heart in three-part harmony. Bryan Horne's athletic standup bass and Lucas Carlton's tasteful percussion combine with the acoustic instruments to create what is California's own acoustic music.

Hot Buttered Rum lives for a good time. The group's onstage chemistry fuels the lovefest that is a live HBR show. A mindful recklessness settles in whenever these five guys step out of their front doors in northern California to entertain crowds from Anchorage to Miami.

Hot Buttered Rum's years of touring have given the band the chance to work and play with a wide cross-section of musicians, people like Phil Lesh, Chris Thile, Brett Dennen, and Robert Earl Keen. Seasoned veteran Steve Berlin (Los Lobos), acoustic guru Mike Marshall, and left-coast rocker Tim Bluhm (Mother Hips, Nicki Bluhm) have all produced studio albums for the band. Each guided HBR towards the next step in its evolution. It's a sound that's as tough to describe as it is easy to love, and it has found its way to the most prestigious pop, folk, and bluegrass stages in the country: Telluride, Newport, Bonnaroo, Strawberry, Hardly Strictly, Kate Wolf, Horning's Hideout, String Summit, Grey Fox, All Good, High Sierra, Wakarusa, and many more.

At the center of Hot Buttered Rum is the enduring camaraderie of five best friends. The band was conceived on a backpacking trip of high school and college buddies in the High Sierra. What was dreamed up on mountaintops and around campfires has found its way into the hearts, minds, and bodies of thousands.
Bob Weir
Bob Weir
When Grateful Dead co-founder guitarist-vocalist Bob Weir joined the improvisational jam band in 1965, he was just 17. Over the years, Weir grew to be one of rock's finest and most distinctive rhythm guitarists, and a band stalwart always. In addition to writing a number of Dead staples such as "Truckin'," "Sugar Magnolia" and "Cassidy," Weir has enjoyed a long and affluent music career. His band RatDog is increasingly active. He has collaborated both on stage and on record with Bob Dylan, bassist Rob Wasserman, pianist Bruce Hornsby (who also played numerous gigs with the Grateful Dead), saxophonist Branford Marsalis and Black Crowes' singer Chris Robinson, to name just a few.

In 2007, the Grateful Dead, one of the first cult acts in music, was honored with a Grammy Lifetime Achievement Award. The peace-loving, daisy-smelling youth that once swarmed Dead shows, a.k.a. "Deadheads," have become the stock-broking, suit wearing, SUV-driving dads, moms, and grandparents who come see Weir to remember the days of freedom and hope, if just for a couple of songs.

In a review of one of Weir's recent solo acoustic performances in Wilkes-Barre, Pennsylvania, The Times-Leader raved "the audience cheered wildly at the first few notes of the instrumental intro, then heartily sang every word. Weir may have been the only one in the entire theater still seated as the first tune rang out." Jambands.com noted in a review of Weir's concert in Phoenix last year that "the solo form brought out new depth and parable."
Venue Information:
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941
http://www.sweetwatermusichall.com/