TWO DAY PASS: 2 Nights of Holiday Magic with Jerry Joseph & The Jackmormons feat STEVE KIMOCK + Jeff Chimenti, Doe Paoro, Jason Crosby and many more special guests

You Better Watch Out

TWO DAY PASS: 2 Nights of Holiday Magic with Jerry Joseph & The Jackmormons feat STEVE KIMOCK + Jeff Chimenti, Doe Paoro, Jason Crosby and many more special guests

Steve Kimock & Jerry Joseph Duo

Friday, December 21, 2018

Doors: 8:00 pm / Show: 9:00 pm

SOLD OUT! THANK YOU!

Sold Out

This event is all ages

Jerry Joseph and The Jackmormons
Jerry Joseph and The Jackmormons
For more than 30 years, Jerry Joseph has been strapping on a guitar and chasing down truth, understanding and soul with a tenacity and resonant skill that mark him as a hard charging kindred spirit to Joe Strummer, Warren Zevon and Patti Smith. While not a household name or critic's darling, Joseph is the archetypal musician's musician, something resoundingly clear in his live performances, as well as his studio work.

Joseph's current foursome, the Jackmormons, is the latest chapter in his long, strange musical journey that flows like glowing quicksilver through the modern psyche, where war and disaster wrestle with hope and faith. The Jackmormons currently feature Joseph (guitar, lead vocals), Steve Drizos (drums, backing vocals), Steve James Wright (bass, backing vocals) and Jeff Crosby (guitar, vocals).

Joseph first came to prominence in the mid-1980s with still-beloved cult band Little Women, a reggae-rock proto-jam band that dominated the Rocky Mountain club scene for nearly a decade, and notably helped break jam giants Widespread Panic, who looked up to Joseph and opened for his band before rising to prominence. In fact, Joseph wrote many of Panic's favorite concert staples, including such blazing epics as North, Chainsaw City and Climb to Safety.

Steve Drizos and Steve James Wright are also musical lifers working steadily for decades both as sparring partners to Jerry Joseph and elsewhere. Drizos was a member of acoustic Dexter Grove from 1995-2004, a band that performed over 1,500 shows nationally. Drizos produced the live Jackmormons record Badlandia and co-produced Happy Book, as well as performing and recording with such luminaries as Dave Mason and Jim Capaldi (of Traffic), Widespread Panic, The Decemberists, moe., Merle Saunders, Eric McFadden, and dozens of local Portland artists.

Steve James Wright has been a complement to Joseph since almost Day One, as the guitarist for Little Women and an outstanding player in his own right. After taking some time off, James graciously and expertly moved over to bass to bring back a slinkier, funkier and more psychedelic mood to the Jackmormons sound. His deep knowledge of the material and his more melodic style now combine to challenge the band to find its finest grooves.

Joseph’s influences are many and varied. “Columbia Record Club used to have 20 records for a penny and I filled out form after form, and these boxes of records came to my house and my parents would flip out. Those were my influences,” says Joseph. “I was a kid, so I was as into The Monkees as I was The Beatles. Then, my mother would tell you, it was all over on my 9th or 10th birthday with [Black Sabbath's] Master of Reality and Steppenwolf Live. Then at 12, it was jazz. I saw every jazz act that toured in the 70s…Herbie Hancock and Tower of Power after we went to see Steely Dan. All that and then my older babysitter bought me Exile on Main Street and I saw [Bob Marley and] The Wailers in 1976 and moved to New Zealand. And then The Clash came out and changed my life. But I also loved ZZ Top and all those guitar bands. When I lived in New Zealand, I sat in my window and read Lord of the Rings while listening to prog like Gentle Giant and Camel. Later, I learned a lot from Chris Whitley touring around Europe with him.”

Meanwhile, Joseph is steadily extending his global reach, taking advantage of the Internet's ability to find audiences worldwide with tours in Southeast Asia, Europe, Central America, Israel, Lebanon, Ireland, England and elsewhere. Joseph is a hyper-gifted American singer-songwriter finding appreciation beyond his own country's borders, an endlessly insightful rabble-rouser and back street shaman. His creative tendrils extend beyond the Jackmormons into everything from extensive solo work to rangy rock juggernaut Stockholm Syndrome (where Joseph plays with Widespread Panic's Dave Schools, Bay Area guitar marvel Eric McFadden, Gov't Mule's Danny Louis, and percussionist Wally Ingram), and a host of unreleased work.

Despite the sort of roadblocks and turns of fortune that usually crush most musicians, Joseph survives, and in fact, thrives in a way that's heartening and stirring, as anyone who has seen a live show can testify.

“I'm lucky. I work. I've never had to play in a cover band. I've never had to wear a funny hat, “ says Joseph. “Perhaps because of the lack of traditional success, I've put out about a record a year, plus all the stuff that's never come out, and it's kept me creatively honest. I don't rehash my past. I don't repeat any of my old hits because I don't have any big hits.”
Steve Kimock
Steve Kimock
Steve Kimock has been inspiring music fans with his transcendent guitar speak, voiced through electric, acoustic, lap and pedal steel guitars for nearly four decades. His passion and devotion to performing live is matchless, and his unparalleled ability to embrace and capture his audiences is the stuff of legends.
Jason Crosby
Jason Crosby
Over the last decade, Jason has been a member of Robert Randolph and the Family Band and the Susan Tedeschi Band, among others. In recent years, Crosby has played with Bob Weir, Phil Lesh, Carlos Santana, Pete Seeger, Eric Clapton, Bruce Springsteen and Dave Matthews in various configurations. His discography is equally as impressive with appearances on Anastasia’s multi-platinum hit “Freak of Nature” as well as Tedeschi’s Grammy Nominated “Wait for Me”; and more recent releases from Phillip Phillips, Pretty Lights, Robert Randolph, Teddy Thompson and many more.

After touring with the Long Island Youth Orchestra to countries such as China, Russia, Australia and Cuba, Crosby expanded his classical horizons by embracing other varied art forms, such as Jazz, Funk, Rock and Latin music. His two solo albums, "Out of the Box" and "Four Chords and Seven Notes Ago" display his diverse array of virtuosic talents, as he switches instruments from song to song, as well as the styles of music he creates and explores. Crosby continues to develop his own style of music, by fusing the Classical he was raised on with the Jazz that inspires his melodic maneuverings.
Jeff Chimenti
Jeff Chimenti
Jeff Chimenti (born October 21, 1968) is an American keyboardist, best known for his ongoing work with RatDog. He is also a member of the post-Grateful Dead bands The Dead and Furthur.[1][2]

A native of the San Francisco Bay area, Chimenti began playing piano when he was four and he studied formally from the age of seven to around the time he finished high school. Once he graduated from high school, he began playing in bands around the Bay area. He played in local jazz bands as well as Les Claypool's Frog Brigade; he's also played back-up for pop acts such as En Vogue.

He was playing in Dave Ellis's jazz quartet when Ellis was hired to play saxophone in Ratdog. Ellis informed him that Ratdog was also looking for a new keyboardist. Chimenti was hired and played his first show 28 May 1997.

Recently Chimenti has been on tour with Ratdog and is scheduled to perform with Phil Lesh and Friends.
Doe Paoro
Doe Paoro
Transforming pain into transcendence is the genius of many pop artists, but Doe Paoro brings an entirely new depth to that process. On her third album Soft Power, the L.A.-based singer/songwriter digs into her own frustration and anguish, and ultimately comes away with a newfound strength that’s profoundly inspiring.

“So much of the album is about reclaiming parts of myself that I had lost,” explains Doe, who’s originally from Syracuse, New York. “It’s about being a woman, and what exactly that means at this particular moment in time; about witnessing a lack of justice when it comes to men and control. Both at the personal and societal levels, I was watching people in power play games with our lives, with the environment. I found this theme reappearing in the music I was writing during this period; it was less intentional and more about a certain kind of catharsis.”

Touring her electronically adorned second album After – a 2015 release produced at the Wisconsin studio helmed by Bon Iver’s Justin Vernon – shaped Doe’s intentions with Soft Power. “After had so many elaborate arrangements that were bigger than we could recreate with a live band, so we had to use backing tracks. It was limiting on stage – the music was mapped out in advance and I felt like we could never be completely spontaneous. I wanted to make an entire album that could be recreated live because for me, that’s where the deeper connection takes place.”

Produced in London with Jimmy Hogarth (Amy Winehouse, Sia, Corinne Bailey Rae), Soft Power captures that immediacy while channeling the new-found self-possession into a soulful take on piano-driven pop. And with her penetrating contralto that can shift from gentle to commanding in an instant, Doe delivers a vocal performance perfectly suited to the album’s message of thoughtful defiance. Recording to tape with a live band lent the songs a more instinctive, spontaneous quality. “There was no doubting or overthinking,” says Doe. “We didn’t record any part a million times over.”

Soft Power thus bears a raw vitality that marks a major departure from Doe’s previous album. Naming Carole King among her inspirations, Doe notes that the new record’s more urgent feel comes partly from reconnecting with the instinctive approach of her earliest songwriting. “One of my intentions was to drop any questions about what might be inventive, and just focus on writing songs that felt true to my experience,” she says. “The idea was to push things forward just by creating something well-made and authentic.”

Despite its classic sensibilities, Soft Power is deeply innovative in its emotional element. From track to track, Doe slips into careful self-reflection and teases out new insight—a process that subtly demands the same of the listener and, thanks to the album’s strong hooks and indelible melodies, feels strangely exhilarating.

With its percussive, infectious rhythm and ecstatic gospel harmonies, the amped-up, horn-backed “Cage of Habits” finds Doe owning up to her tendency to keep falling into the same traps. “Loose Plans,” a tender piano ballad built on tumbling melodies, weaves a tapestry of intention, disappointment, and acceptance through its rich, stripped-down vocals that radiate both vulnerability and wisdom. “Second Door” unfolds as a lushly textured meditation on forgiveness, while in the haunting “Roman,” Doe draws from numerous genres to craft a post-breakup exorcism pulled straight from an alt film noir. “Over” brings classic girl-group harmonies and smoldering vocal work to speak to the song’s central question: Now that I’m older / does it get easier / to get over?

The gently soaring “Cruelty of Nature” sheds light on the beauty of embracing our inner darkness: that is, “witnessing our shame in other people and being frightened of that – but also recognizing that we’re all mirrors of each other.” “Fading into Black” is a cinematic and slow-burning epic about collective regret. And on “The Vine,” with its atmospheric guitar tones and intimate vocal work, Doe closes out Soft Power by musing on the idea of the transgenerational dreams “we inherit from our parents and from the earth, and how they’re predetermined before we’re born.” She adds: “Even if we fulfill some dream from generations ago, it’s still just a dream—it will always pass.”

Throughout Soft Power, Doe infuses her songs with a rebellious spirit. A passionately charged track about misogyny, “Guilty” blends cascading guitar lines with sharply cutting lyrics (I know I’m not the first / that you made defend her word). Several songs also confront the notion of setting boundaries, with “Projector” centering on “the refusal to let someone else superimpose their story onto yours” and “Walk Through the Fire” emerging as a brutal testament to the fact that “self-examination is ultimately a solo job – and there’s no easy way to do it.”

The title is inspired by an idea presented in the Tao Te Ching. “There’s a quote about how the ‘the gentlest thing in the world overcomes the hardest thing in the world,’” says Doe. “That is, there’s another form of power that’s just as strong: the power of patience, compassion, and forgiveness. I sought refuge in this idea of gentle power. The album is about unlocking this kind of power and learning to channel it toward others as well as myself.”

The result is an album that’s undeniably potent in its emotional impact. “One thing I’ve continued to find through writing songs is the ability to alchemize painful experiences into something that’s useful and healing,” says Doe. “For me that’s the highest purpose of music—both in terms of what it offers to me and what I wish to offer to others.”
Steve Kimock & Jerry Joseph Duo
Steve Kimock & Jerry Joseph Duo
Longtime friends and bandmates from many moons ago, Jerry Joseph and Steve Kimock share the stage for a very special duo offering. These rare Steve & Jerry duo shows are always emotionally charged, unique, and special.
Venue Information:
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941
http://www.sweetwatermusichall.com/