2nd Annual Send It Super Jelly feat George Porter Jr., Eddie Roberts, Adam Deitch, Jennifer Hartswick, Joe Taton, Mike Ohlmos & Benjamin Andrews
Tuesday, November 20, 2018
8:30 pmSweetwater Music Hall
VIP $175/GA $75 (plus fees)
This event is 21 and over
The Send It Foundation is excited to bring it's 2nd annual Superjam back to the Sweetwater! This years lineup of musicians builds upon last years great event with the addition of George Porter Jr, Jennifer Hartswick and Adam Deitch to join forces with Eddie Roberts. Join us for this incredible night of music and fundraising to benefit the Send It Foundation, a local nonprofit providing free, life-changing outdoor adventures for young adult cancer fighters and survivors.
George Porter Jr. - Bass
Eddie Roberts - Guitar
Adam Deitch - Drums
Jennifer Hartswick - Horns
Joe Tatton - Keys
Mike Ohlmos - Horns
Benjamin Andrews - Guitar
Send It creates multi-day adventure programs designed around activities like skiing, surfing, and climbing, bringing strength and courage to the cancer fight. Caught between the worlds of pediatric and adult oncology (ages 20-40), Send It provides a unique space for peer support and connection to this demographic of cancer fighters.
Send It was founded by Mill Valley native, Jamie Schou, when he was diagnosed with a rare cancer at the age of 33. For Jamie, 'someday' became 'today', and with every break in treatment, he skied, biked, paddled, and climbed mountains - keeping him happy, positive, and fighting hard.
In the last year of his life, Jamie founded the Send It Foundation, providing outdoor adventures for young adult cancer fighters, removing them form their cancer experience and creating the space to play, connect, and have fun outdoors.
Send It brings the camaraderie built on the train and the chairlift into the day-to-day, reminding fighters to live for today and to Send It!
Around 1991 Eddie's love for Grant Green inspired him to put a Hammond-based line up together. With the sound of Big John Patton, Lou Donaldson and Ivan Boogaloo, his band The Eddie Roberts Organisation toured UK and managed to get its first European dates at the 'Queen's Birthday Celebrations' in Amsterdam, The Netherlands.
The next step in 1993 was to downsize to a Hammond trio - this happened after meeting two guys who nailed it down more than the seven-piece that the Organisation had become. The Three Deuces were born. After a live album was released, (recorded at Leeds' legendary Jazz dance club The Yardbird Suite) great reviews ensured extensive touring opportunities: headlining Italy's Jazz festival in Bari with Greg Osby as well as many UK festivals, and the start of a regular slot at the Jazz Cafe, London. ?Down at Art?s? was playlisted on Jazz FM for most of 1996 - Art?s Caf� in central Leeds being the place where it all started and ran weekly for 3 years.
Other projects in tandem with the Deuces included Gaucho - inspired by Joe Henderson, Chico Hamilton, Gabo Szabo, Sam Rivers &c., comprising percussion, double bass, guitar, tenor sax & flute - and The Mastersounds with Simon Allen, Dan Brown and percussionist Sam Bell. In 1999 Eddie's focus shifted towards Deep Funk, and hence The New Mastersounds who started out performing a mix of Eddie?s quirky Meters-inspired funk ditties and covers of Jimmy McGriff and Grant Green tunes in clubs and bars around Leeds and Manchester. Soon after, the first 7" was released on Blow it Hard Records (?One Note Brown? is now a rare collectors' 45) they gigged at Jazz Cafe alongside Funk DJ & collector Keb Darge. This meeting proved to be a fruitful one - 3 singles and 1 album on Keb?s label Deep Funk Records earned them the dubious title 'Best Funk Band in the World at this Moment'. 2001/2002 saw some heavy international touring for the extended 8-piece band which featured Cleve Freckleton and The Haggis Horns. Late 2002, whilst various options for a second NMS album were being considered, Eddie's own Cooker Records teased fans with a couple of new 7" singles, as well as re-releasing the highly sought-after debut album.
Eddie's love for 60's Blue Note & Hard Bop, however, didn't waver despite the media hype of the Deep Funk scene, and after a conversation with Adrian Gibson (Booker & DJ at Jazz Cafe/Messin? Around) Eddie was commissioned to produce a Hard Bop track for the Jazz dancers to go on a 'Messin Around' compilation. Eddie had ulterior motives at this recording session - to record a number of 'old-school' tracks with re-arranging & remixing in mind. This project is called Roughneck (a term often used to describe Eddie?s dynamic guitar style) and over the course of 2003 the multi-tracks were fed into Eddie?s creaking mainframe. ?Diggin' Around?, the first 12", was released in February 2003 and a wave of positive responses hit Cooker's shores. ("Pure & genuine, double bass monster. Strong heavy Jazz elements. Very, very good!" said one Espen Horne).
In Spring 2003 Eddie was approached by UK DJ & producer Mr Scruff to play on his remix of the Ramsey Lewis classic ?Do What You Want? for the Verve Remixed series. Then in April the original New Mastersounds quartet (bass, drums, guitar, Hammond) took matters into their own hands and set up a dedicated label for the band, One Note Records, with drummer Simon Allen at the helm. The second NMS album, ?Be Yourself? was written, recorded and mixed over summer 2003 and released in the UK that October. A much broader project than the first album (which had been, to a degree, constrained by the demands of Keb Darge's Deep Funk dancefloor crowd) ?Be Yourself? reflects more truly the scope of Eddie's musical influences and experience, hence the title.
The proceeds from ?Be Yourself? were used to finance stage two of Eddie?s Roughneck project - the double vinyl LP and CD of Roughneck was released summer 2004 on One Note Records and licensed to P-Vine Records in Japan six months later. After that there were select live shows Jazz Festivals and clubs, one of which yielded the live album ?Roughneck: Live in Paris? (P-Vine 2005). The band - which features Gordon Kilroy on drums, Neil Innes on bass, Bill Laurance on piano, and guest performances from ex-NMS horn players Rob Lavers (sax) and Malcolm Strachan (trumpet) - was the obvious choice for Eddie?s 2006 recording project "Trenta". This album, released early 2007 on Salvo?s Records features Eddie?s instrumental arrangements of traditional Neopolitan songs. Eddie decided it was time to give the Americans a taste of Roughneck so he flew them over to perform at High Sierra Music Festival last summer, where fans lapped up the soulful jazzy sounds.
Also in 2007 Eddie paid his first visit to New Orleans, with The New Mastersounds. The band played three shows over the first weekend of Jazzfest, but while the others went home, Eddie stayed on for an extra week and found himself guesting with a host of jazz and funk artists at late-night shows around the city including Galactic, Papa Mali, Johnny Vidocavitch, Idris Muhammed, The Greyboy Allstars. Later that summer Eddie joined Stanton Moore?s trio for a festival gig, alongside keyboard wizard Robert Walter.
At time of writing Eddie has recently completed ?Plug & Play? the The New Mastersounds? fifth studio album, and has just been hired to produce an album for French funk/afrobeat outfit Shaolin Temple Defenders.
Never one to sit back and put his feet up, Eddie tells us that the follow-up to Roughneck ? provisionally entitled ?Volume 2? ? can be expected later this year, and will feature collaborations with vocalists Leigh Kenny and Rhianna Kenny, vocalists with stadium techno act Faithless.
Is that all?
Jennifer's live performances are renowned as spontaneous, joyful and contagious. Her natural charisma and sincerity shines through, and each performance is a celebration of musical collaboration; the camaraderie between Jennifer and her band mates is always visible. And whether she is wailing on the trumpet or singing an intimate vocal solo, her performance is all part of a single seamless instrument, one that is played not only with astounding technical proficiency, but also with sensitivity, conviction and heart.
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941