Keller Williams' Petty Grass feat The Hillbenders doing bluegrass versions of Tom Petty classics

Keller Williams' Petty Grass feat The Hillbenders doing bluegrass versions of Tom Petty classics

Saturday, October 27, 2018

Doors: 8:00 pm / Show: 9:00 pm

$50 Advance/$60 Day of show (plus fees)

This event is all ages

Keller Williams Petty Grass featuring The Hillbenders
Keller Williams Petty Grass featuring The Hillbenders
Petty Grass is Bluegrass versions of Tom Petty hits. Sing-alongs that some people didn’t even know they knew. Tom Petty songs are like that and Petty Grass celebrates this.

There is nothing like a room full of people singing along to the same song. In 2015, I put together a set of Tom Petty songs to be done bluegrass at a benefit for my local S.P.C.A. I had so much fun putting the project together, it brought a wave of joy over me singing these songs. With his untimely passing, these songs have been pushed to the forefront of my mind and is seems like as good a time as any to celebrate, publicly, the hits of Tom Petty. Luckily, The HillBenders share my passion for this music and it just so happens that they are kick ass pickers who have amazing attention to detail, you can see for yourself as they cover the entire rock opera of The Who’s Tommy. These Petty songs lend themselves quite easily to bluegrass and by the end of the night, the audience will more than likely be singing in harmony.
– Keller Williams
Keller Williams
Keller Williams
Keller Williams released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE, SYNC and RAW, , those who have followed his career will know this. Each title serves as a concise summation of the concept guiding each project. GRASS, for example, is a bluegrass recording cut with the husband-wife duo The Keels. STAGE is a live album and DREAM is the realization of Keller’s wish to collaborate with some of his musical heroes. THIEF is a set of unexpected cover songs, KIDS offers Keller’s first children’s record, PICK presents Keller’s collaboration with royal bluegrass family The Travelin’ McCoury’s, and RAW is a solo acoustic album. Each album showcases Keller’s comprehensive and diverse musical endeavors and functions to provide another piece of the jigsaw puzzle that is Keller Williams. Keller’s collaborative and solo albums reflect his pursuit to create music that sounds like nothing else. Unbeholden to conventionalism, he seamlessly crosses genre boundaries. The end-product is astounding and novel music that encompasses rock, jazz, funk, and bluegrass, and always keeps the audience on their feet.

Since he first appeared on the scene in the early ’90s, Williams has defined the term independent artist. And his recordings tell only half the story. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar. With the use of today’s technology, Keller creates samples on the fly in front of the audience, a technique called live phrase sampling or looping, with nothing pre-recorded, the end result often leans toward a hybrid of alternative folk and groovy electronica. A genre Keller jokingly calls “acoustic dance music” or ADM.”

That approach, Williams explains, was derived from “hours of playing solo with just a guitar and a microphone, and then wanting to go down different avenues musically. I couldn’t afford humans and didn’t want to step into the cheesy world of automated sequencers where you hit a button and the whole band starts to play, then you’ve got to solo along or sing on top of it. I wanted something more organic yet with a dance groove that I could create myself.”

Williams’ solo live shows—and his ability to improvise to his determinedly quirky tunes despite the absence of an actual band—quickly became the stuff of legend, and his audience grew exponentially when word spread about this exciting, unpredictable performer. Once he began releasing recordings, starting with 1994’s FREEK, Williams was embraced by an even wider community of music fans, particularly the jam band crowd. While his live gigs have largely been solo affairs, Williams has nearly always used his albums as a forum for collaborations with fellow musicians. An alliance with The String Cheese Incident on 1999’s BREATHE marked Williams’ first release on the band’s label SCI Fidelity Records, DREAM, Keller’s 2007 release, found him in the company of such iconic musicians as the Grateful Dead’s Bob Weir, banjo master Béla Fleck, bass great Victor Wooten, American musician/poet Michael Franti and many others.

“That album took, from start to release time,” says Williams, “about three years. The object was to get people that I admire musically to play my stuff, so when I’m old I can crank this album in my pimped-out golf cart and have something that I’m really proud of. I was going for the historical effect for my own personal listening pleasure.

“Each record,” he continues, “is a little snapshot of history. I like to think of it as a period piece for an artist. Each record is a little bit different but all of them have some kind of common thread, which is my musical ability as far as I can take it. I enjoy making records. In some people’s eyes, they’re a dying breed, but I’m very passionate about it. They document where my head is at that time in my career and where I am in my songwriting.”
The Hillbenders
The Hillbenders
“Ever since I was a young boy I played the silver ball”

Maybe not your standard bluegrass lyric, but a line known by all the world from the biggest rock opera of all time, The Who’s Tommy.

45 years after its original release, this classic of classic rock has now been fully realized as a full length bluegrass tribute featuring Springfield, Missouri’s The HillBenders. Conceived and produced by SXSW co-founder and longtime musician/producer Louis Jay Meyers, this Bluegrass Opry brings a new perspective to Tommy while paying total respect to its creators.

Originally composed by guitarist Pete Townshend as a rock opera that tells the story about a deaf, dumb and blind boy, including his experiences with life and the relationship with his family. The original album has sold 20 million copies and has been inducted into the Grammy Hall of Fame for "historical, artistic and significant value". In 2003, Rolling Stone magazine ranked Tommy number 96 on its list of the 500 greatest albums of all time.

Meyers had been looking for the right band to pull off this high wire bluegrass approach for several decades and The HillBenders are the right band. With a perfect mix of virtuoso musicianship and rock star vocals, The HillBenders bring Pete Townshend’s original vision to life in a new and exciting way.

It’s amazing to hear banjo, dobro, mandolin, bass, and guitar bring the same energy and vision to Tommy as The Who did with a full rock band and orchestra.

The HillBenders are one of the few bluegrass groups that recognize their ability to bridge the gap between the common music consumer and the bluegrass genre, selecting material that defies any hillbilly stigmas. With their widely varied influences, they are trying to bring to bluegrass songs that unify. “We wanted to pair bluegrass with the other music we grew up with —rock and roll!” say HillBender Nolan Lawrence.
Venue Information:
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941
http://www.sweetwatermusichall.com/