LUCERO three night New Years Bash

New Year's Eve!

LUCERO three night New Years Bash

Travis Hayes

Sunday, December 31, 2017

Doors: 8:00 pm / Show: 9:00 pm

$87 Advance/ $97 Day of Show (plus applicable fees)

This event is all ages


By Brian Venable

You could say we were one of the lucky ones, starting this band in April of ’98 without a clue as to what we were doing. We were getting tired of the steady punk rock and metal diet and we wanted to try our hand at country songs, or do our best Tom Waits/Pogues impersonation.

The trick there was that we couldn’t really play our instruments! I had never played guitar before and Ben Nichols (lead singer, guitar) had only played bass in other bands. Finding Roy Berry (drummer) and John C. Stubblefield (bassist) solidified the line up and being hidden away in Memphis allowed us to woodshed, experiment with different sounds and create one that was ours alone.

Eventually we got out of town, and playing 250 shows year not only made us tight as a band but as a family as well. We are still one of the few bands out there with the original line up from almost the beginning, and it shows.

Picking up Rick Steff on keys allowed us to expand the sound and grow musically. Being able to play whatever we could think up in our heads and having the music we loved and grew up on motivate and inspire us to try new things and take chances. We realized that if you added some horns to Ben’s lyrics that it took it to the next step, from sad bastard country rock to soul and R&B and we realized we were a Memphis band and came by it honest. We have always brought Memphis with us wherever we went and this just proved it.

We came out screaming on 1372 Overton Park. Big sound, bigger horns - like a kid with a new toy we put them on everything and loved it! This record was a marked departure from the previous sound and announcement of way things we’re gonna be now!

While 1372 Overton Park was written and the horns added after the fact, Women & Work was written with the horns in mind so it was a little less gung ho and was starting to settle in nicely. Women & Work is one of the best modern Southern rock records in my opinion and the song “On My Way Downtown” has almost surpassed “Tears Don’t Matter Much” as the crowd favorite… almost!

This brings us to the new record. All A Man Should Do contains some of the most resonant lyrics Ben Nichols has ever written, lyrics that read like chapters from his life on the duality of relationships, getting older, finding where you want to be in this world, and musically we are broadening our sound. Working with producer Ted Hutt for a third time at the famous Ardent Studios, we felt comfortable enough to take some chances with a palette of new tones that sound understated yet powerful, bringing life to the stories behind the lyrics without overshadowing them.

It’s also the first time we’ve ever put a cover song on a record, with a full band version of big star’s “I Fell in Love with a Girl”, and having Jody from Big Star sing back-up vocals makes it that more special and amazing. This is a Memphis record in the greatest sense and a perfect finish to the three-part love letter to a city that brought us up and made us what we are today.
Travis Hayes
Travis Hayes
Travis Hayes isn’t the type to wear emotions on his sleeve. He saves that for his songs- brutally honest most of the time, and endearingly heartfelt all the time. Hayes continues the timeless tradition of soul-bearing songwriting to interpret our shared human experience into music.

Love, heartbreak, fading friendships, fraught relationships – they’re all expressed achingly through his impassioned voice and melodic guitar lines. Hayes echoes the earnestness of Springsteen, the pop sensibility of Petty, and the raw emotion of Ryan Adams.

July 2014 marked the release of Hayes’s debut album Young Daze. The album received critical acclaim from print and online media alike. The Deli Magazine praised Hayes’s ability to “…blend quintessential American music styles that nod to artists like Tom Petty and John Cougar Mellencamp, while creating his own spin on his ballads, bringing a fresh and modern sound…” Infectious Magazine declared, “Travis Hayes’s Young Daze will entrance you and prove to be the refreshing, crisp sound you’ve been looking for.”

March 2015 brought a new feel for Hayes with the release of his acoustic EP Love Songs, featuring Emily Whitehurst (Tsunami Bomb / Survival Guide). SF Weekly dubbed the release “a heartfelt EP of acoustic folk-pop.” San Francisco TV and print contributor Broke Ass Stuart suggested, “If you want your girlfriend to miss you while she’s on vacation send her Love Songs, sung by a vocal duo whose harmony sounds as natural together as it is brutal on the ol’ heart strings.”

While Young Daze was a coming-of-age tale, and Love Songs touched on matters of the heart, Travis Hayes’s sophomore LP Sleepless explores a darker reality. Hayes delves into the challenges that inevitably come with growing older- themes that keep him awake at night. Now accompanied by a full-time backing band, Hayes’s sonic arrangements are grander, his vision is greater, and his words don’t just ring now, they soar.

In his career, Hayes has shared the stage with acts such as Nathaniel Rateliff, Langhorne Slim and Chuck Ragan. In addition, he’s made appearances at San Francisco’s Noise Pop Festival, SXSW, Ocean Beach Music and Art Festival and embarked on many extensive tours around the United States. Simply put by Music Junkie Press, “If you are from the Bay Area and haven’t been to a Travis Hayes show, then you are missing out.”
Venue Information:
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941