Preservation Hall Jazz Band

Tonight!

Preservation Hall Jazz Band

Mo'Fone

Monday, June 1, 2015

Doors: 7:00 pm / Show: 8:00 pm

$50.00 - $55.00

This event is all ages

Preservation Hall Jazz Band
Preservation Hall Jazz Band
At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history.

PHJB marches that tradition forward once again on So It Is, the septet’s second release featuring all-new original music. The album redefines what New Orleans music means in 2017 by tapping into a sonic continuum that stretches back to the city’s Afro-Cuban roots, through its common ancestry with the Afrobeat of Fela Kuti and the Fire Music of Pharoah Sanders and John Coltrane, and forward to cutting-edge artists with whom the PHJB have shared festival stages from Coachella to Newport, including legends like Stevie Wonder, Elvis Costello and the Grateful Dead and modern giants like My Morning Jacket, Arcade Fire and the Black Keys.

So It Is finds the classic PHJB sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible.

“When the restrictions were lifted,” says bandleader/composer/bassist Ben Jaffe, “It was no longer just about going down there and playing a concert. We were able to explore a bit more, which profoundly impacted the band not just musically but personally. In Cuba, all of a sudden we were face to face with our musical counterparts. There’s been a connection between Cuba and New Orleans since day one - we’re family. A gigantic light bulb went off and we realized that New Orleans music is not just a thing by itself; it’s part of something much bigger. It was almost like having a religious epiphany.”

Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history. Upon arriving in New Orleans to meet with the band, Sitek recalls he and Jaffe accidentally stumbling into one of the city’s famed second-line parades. “I was struck by the visceral energy of the live music all around, this spontaneous joy, everything so immediate,” he says. “I knew I had to make sure that feeling came out of the studio. It needed to be alive. It needed to sound dangerous.”

For those wary that a band with the rich history of the PHJB is tackling new material, Jaffe is quick to point out that Preservation Hall – which his parents, Allan and Sandra Jaffe, founded in 1961 – was never meant to be a museum. At its beginnings it broke racial boundaries to present the living legends of New Orleans music, living links to the origins of jazz. Today, with a band whose ages range nearly 60 years, the mission remains the same: to pass on the traditions while continually revitalizing it with new blood and fresh ideas.

“I see it as something that's necessary for the evolution and survival of New Orleans music,” Jaffe says. “Interpreting the repertoire that’s been around for a hundred years is one thing, but the challenge is to keep that repertoire and those traditions alive while at the same time being honest about who you are as a musician, allowing all of your musical influences to be reflected in what you create.”

While that’s always been a key component of the PHJB, whether at their world-famous French Quarter home or on stages around the world, it took on a renewed urgency in the aftermath of Hurricane Katrina. “When something that catastrophic happens in your life,” Jaffe says, “it becomes important to understand and focus on the things that are most important.” The band began charting a new path with the release of That’s It!, their first album of original material, in 2013. So It Is continues and significantly expands on that expedition.

The music on So It Is, penned largely by Jaffe and 84 year-old saxophonist Charlie Gabriel in collaboration with the entire PHJB, stirs together that variety of influences like classic New Orleans cuisine. Longtime members Jaffe, Gabriel, Clint Maedgen and Ronell Johnson have been joined over the past18 months by Walter Harris, Branden Lewis and Kyle Roussel, and the new blood has hastened the journey into new musical territory. The album’s seven new pieces of buoyant, window-rattling funk find common ancestry with the Afro-Cuban sounds that the band heard in the streets of Havana (witness the NOLA-meets-Cuba bounce of “La Malanga”), Fela Kuti’s Nigerian funk and the entrancing melodies of Ethiopian jazz (most evident on the sinuous “Innocence”), the passion of envelope-pushing ‘60s jazz and soul pioneers, and the intense grooves of their modern Coachella counterparts – then filters them all through a Crescent City lens to emerge with something that compels the listener to move.

“When we play music, the barometer for us as a band is whether the locals are reacting,” Jaffe explains. “In New Orleans we play music for dances and parades, funerals and church. It's important to us to make music people connect to, that people dance to, that people really feel, emotionally and physically. That's the tradition we grew up with, that's what we know."

Preservation Hall Jazz Band:

BEN JAFFE – Bass (upright), Tuba, Percussion
CHARLIE GABRIEL – Saxophone (tenor), Clarinet
CLINT MAEDGEN – Saxophone (tenor), Percussion
RONELL JOHNSON – Trombone
WALTER HARRIS – Drums, Percussion
KYLE ROUSSEL – Piano, Wurlitzer, Organ
BRANDEN LEWIS – Trumpet
Mo'Fone
With its surprising and highly combustible line-up of two saxmen and one drummer, the Bay Area-based group Mo'Fone has thrilled audiences with some of the funkiest jazz—and jazziest funk—being played today. Powering its way through inventive high-energy original compositions, Mo'Fone explores the sonic landscape of its unique instrumentation with a relentless adventurousness, creating a huge sound that belies its compact size.

Combining serious musicianship with an infectious sense of fun onstage, Mo'Fone also manages to groove with abandon while keeping miraculously in balance, as each member of the band pushes his instrument well beyond its role in a more traditional trio. What's more, Mo'Fone delivers adventurous riffs and grooves, while achieving a sound that's not only accessible, but instantly addictive. Their groovy improvisations and original concept have earned them the award for Best Jazz Group in the 2008 East Bay Express Readers' Poll, and secured them slots at the Monterey, San Francisco and Sonoma Jazz Festivals, in addition to gigs at the Bay Area's premier live music venues.

"I was hooked from the first track," wrote the Contra Costa Times of the band's debut disc, Surf's Up (Evander Music, 2003). "Mo'Fone proves it's the biggest little band on the scene. On each piece, the trio finds ingenious ways of creating a full, multitextured, hard swinging sound."

A healthy portion of that swinging sound comes from the mighty baritone sax and bass clarinet of Jim Peterson, alternating seamlessly between walking bass lines and powerful melodic riffs. A stalwart of the Bay Area scene for more than 20 years, Jim is a veteran of leading bands like Mitch Woods and His Rocket 88s, Indigo Swing, and Motordude Zydeco. Soaring overhead on alto sax, clarinet and flute is Larry De La Cruz, whose own impressive résumé includes stints with Phil Woods, Bobby Hutcherson, the Temptations, Boca do Rio, and Doc Severinsen. Completing the Mo'Fone magic is drummer Jeremy Steinkoler, "a master of second line syncopation" (SF Bay Guardian) whose orchestral approach to the traps drives the trio's turn-on-a-dime dynamics and gives Mo'Fone its third ceaselessly inventive solo voice.

As AllAboutJazz.com summed up the group's exhilarating and cohesive sound: "This jazz trio is a powerhouse to be reckoned with.... If Mo'Fone doesn't blow your socks off, you're not paying attention."
Venue Information:
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941
http://www.sweetwatermusichall.com/