Steve Kimock & Friends feat special guest Jackie Greene

Steve Kimock & Friends feat special guest Jackie Greene

Thursday, August 17, 2017

Doors: 7:00 pm / Show: 8:00 pm

SOLD OUT! THANK YOU!

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This event is all ages

featuring Jeff Chimenti, John Kimock, Andy Hess, Leslie Mendelson & special guests

Steve Kimock & Friends
Steve Kimock & Friends
A master of improvisation for over four decades, Steve Kimock has been inspiring music fans with his transcendent guitar speak, voiced through electric, acoustic, lap and pedal steel guitars. While one can say that his genre is rock, no one niche has ever confined him. Instead, through the years, he’s explored various sounds and styles based on what’s moved him at the time, whether it’s blues or jazz; funk or folk; psychedelic or boogie; gypsy or prog-­‐rock; traditional American or world fusion.

Threaded through this expansive and highly nuanced musical landscape is Kimock’s signature sound, the prodigious product of his ability to articulate crystal-­‐clear tone, melody and emotion into intricately woven music crafted with technical brilliance. His passion and devotion to performing live is matchless, and his unparalleled ability to embrace and capture his audiences musically is the stuff of legend.

Kimock co-­‐founded the jazz/rock band Zero in the ‘80s and KVHW in the ‘90s; since then, he has recorded and toured in various outfits under his own name. His collaborations with assorted band mates and groups have provided an everlasting wellspring of inspiration for the guitarist, and he has shared the stage with a seemingly endless array of international musical luminaries. After more than 40 years on stage, Kimock is more committed than ever to a jubilant spirit of musical diversity — the same spirit that has fed his desire to pursue an authentic relationship with the guitar since the day he realized his calling.

Born in Bethlehem, Pennsylvania, in 1955, as a preteen Kimock spent plenty of time at the home of his aunt, Dorothy Siftar, a folk singer who played the Philadelphia Folk Festival with Pete Seeger and had an abundance of stringed and percussive instruments in her home. Around this time, Steve’s cousin Kenny returned from military service overseas and taught Kimock his first rock ‘n roll licks on a beautiful Gold Top Les Paul (which, incidentally and decades later, Kimock now owns). It wasn’t long until Kimock got his own guitar, a $10 acoustic that he began playing 12 hours a day, every day, and it changed his life forever.

After playing in a series of high school bands, Kimock joined the Goodman Brothers Band, which first moved to northern California in 1974. Steve’s first home was a cabin in Marin, directly behind the Ali Akbar Khan School of Music. Every morning he woke to the sound of sarods and sitars, sparking his interest in the music of other cultures that colors his own compositions to this day.

Kimock fell in with the Bay Area’s local music scene and began playing in a variety of outfits, including the salsa band The Underdogs (with flautist/saxophonist Martin Fierro). In 1979 he joined the short-­‐lived Heart of Gold Band with Grateful Dead members Keith and Donna Godchaux and drummer Greg Anton.

In 1984, Kimock and Anton co-­‐founded Zero, an instrumental psychedelic jazz/rock/blues band that also included former Underdogs bandmate Fierro, bassist Bobby Vega, keyboardist Pete Sears (who was eventually succeeded by Chip Roland), and former Quicksilver Messenger Service guitarist John Cipollina. It was during the Zero era that Kimock would define his fluid style of melodious improvisation.

By 1992, Zero was regarded as one of the marquee Bay Area bands and architects of the infant jam band genre. The band began working with Grateful Dead lyricist Robert Hunter and added vocalist Judge Murphy before going on an extended hiatus in the late ‘90s. During their initial time together, Zero released five albums including 1987’s debut Here Goes Nothin’; 1990’s Nothin’ Goes Here; 1991’s live effort Live: Go Hear Nothin’; the band’s 1994 major label debut, the live album Chance in a Million; and 1997’s self-­‐titled studio album, along with hundreds of live recordings.


While still performing with Zero, Kimock began to explore new terrain with the looser, bluesier Steve Kimock & Friends, an ever-­‐evolving project that continues to feature a cast of acclaimed singer-­‐ songwriters, Hammond B-­‐3 players, rock guitarists and numerous other serious players Kimock has befriended along the way.

Kimock spent the end of the century with KVHW, a much lauded though short-­‐lived quartet comprised of himself, Zero bassist Vega, drummer Alan Hertz, and former Frank Zappa sideman Ray White. KVHW toured nationally from January 1998 through December 1999, playing a repertoire that consisted of original compositions and songs from Kimock’s previous bands, as well as a number of Frank Zappa covers.

In February 2000, KVHW morphed into the Steve Kimock Band, which featured Kimock and Vega (who was succeeded by Alphonso Johnson in 2001), along with a rotating crew of guitarists and drummers. Eventually, the lineup solidified with drummer Rodney Holmes and guitarist Mitch Stein. In 2001, they released Live in Colorado, followed by the 2002 double live album, East Meets West (culled from shows in San Francisco and Japan); and in 2004, the double live album, Live in Colorado, Vol. II. In 2005, the Steve Kimock Band released the lauded studio album, Eudemonic and toured nationally, anchored by Kimock and Holmes with keyboardist Robert Walter (20th Congress, Greyboy Allstars) and bassist Reed Mathis (Jacob Fred Jazz Odyssey, Tea Leaf Green).

In 2009, he formed the upbeat, gospel-­‐influenced, soul-­‐rock band Steve Kimock Crazy Engine, which featured legendary Hammond B3 player Melvin Seals; Kimock’s son, John Morgan Kimock, on drums; and accomplished singer-­‐songwriter and cello player, Trevor Exter, who was plucked out of the NYC indie music scene to fill the role of bass and vocals. In 2010, Steve & John Kimock continued their collaboration for the 10th anniversary of the sold-­‐out New York Guitar Festival, where they scored a silent film (Buster Keaton’s Cops), sharing the bill with Justin Vernon (Bon Iver).

Once touted by Jerry Garcia as his “favorite unknown guitar player,” Kimock has also performed as part of Bob Weir’s Kingfish and toured in both 2007 and 2014 with RatDog, in addition to post-­‐Grateful Dead ensembles including The Other Ones, Phil Lesh & Friends, and the Rhythm Devils featuring Mickey Hart and Bill Kreutzmann. The guitarist has recorded and toured with Bruce Hornsby and worked extensively with Merl Saunders. Additionally, he has shared the stage with The Allman Brothers, Angélique Kidjo, Bonnie Raitt, Buddy Miles, Derek Trucks, Elvin Bishop, George Porter Jr., Grace Potter, Grace Slick, Joe Satriani, Jorma Kaukonen, Keller Williams, Little Feat, Nicky Hopkins, Norton Buffalo, Papa John Creach, Peter Frampton, all members of Phish, Screamin’ Jay Hawkins, Stephen Perkins, Steve Winwood, Taj Mahal, Todd Rundgren and Warren Haynes, among many others.

While Kimock’s curiosity and openness to the array of great musicians with whom he surrounds himself is nothing short of astonishing, the music he made with his brothers in Zero feels like a return to the comforts of home. In 2006, Kimock and Anton reunited Zero, touring until the death of Fierro in March 2008. In March 2011, the band reunited for the 20th anniversary of the Chance in a Million recording sessions at San Francisco’s Great American Music Hall, as a benefit for Murphy, who was battling a grave illness. After more than 30 years since forming, Zero carries on today, as the band plays select shows and benefit performances in the Bay Area.

In 2012, Kimock took the helm once again and hit the road with a new lineup, including Parliament Funkadelic/Talking Heads, Hall of Famer Bernie Worrell, drummer Wally Ingram, and bassist Andy Hess. The band played new original material while celebrating Kimock’s rich catalog of music. Kimock released a digital free live EP of the band.

After taking some time away from his own band as part of Bob Weir’s Ratdog from 2013 to 2014, Kimock followed with the return of a rollicking, revamped Steve Kimock & Friends, widely regarded as the most exciting iteration of Kimock’s rock/dance band outfit since its inception. The ensemble, featuring bassist Vega, drummers Bill Vitt, Jay Lane and John Morgan Kimock, Dead & Company keyboardist Jeff Chimenti, guitar ace Dan “Lebo” Lebowitz, and singer Leslie Mendelson, hit a joyous crescendo during the Grateful Dead’s 50th anniversary year, thrilling music lovers with great grooves and carrying on a musical legacy in a jubilant atmosphere.

Though he still devotes countless hours to refining his craft, playing his instrument has never been enough for a man coined “The Guitar Monk” by Relix magazine. The result onstage is the culmination of Kimock’s dedication to the technical intricacies of both guitars and amplifiers. Going all the way from the fundamentals of musical theory to the most scientific details of the sound-­‐production process, there are few stones Kimock has yet to turn. Driving him forward is the knowledge that there is always more to discover – that and the fact that he loves guitar too much to do anything else.
Jackie Greene
Jackie Greene
"We live in such a fast-paced, hectic environment, I wanted to make a record that would invite people to step back and take their time to listen," Jackie Greene says of Back to Birth, his first album in five years. "I wanted to make a record that would reward people who are willing to sit down and give it a couple of serious listens."

Back to Birth - Greene's seventh album and his Yep Roc Records debut - is more than worthy of some serious attention. The 11-song set showcases the multitalented artist's uncanny knack for synthesizing his deep affinity for American roots styles into timeless, personally-charged music. Armed with a persuasive voice, a vivid songwriting skill and an instinctive mastery of several instruments, Greene has carved out a unique musical niche, and the album marks another creative landmark in his already compelling body of work.

Produced by Los Lobos member and frequent Greene collaborator Steve Berlin, Back to Birth underlines Greene's remarkable evolution as a performer and writer. With such new compositions as "Silver Lining," "Trust Somebody," "Now I Can See For Miles," and the stirring title track, the artist's distinctive melodic sensibility is matched with thoughtful, introspective lyrics that confront some profound philosophical issues with plainspoken eloquence.

"Musically, this album is kind of a return to the simplicity of the records that I started with, although I feel like I have a much better idea of what I'm doing now," Greene observes. "I think the lyrics are the part that have really evolved. A lot of these songs explore the notion of a cyclical existence, and the sense that life goes in a circle. I want the songs to come from a place that's meaningful to me, but I also want to keep them as simple and direct as I can. I look at old blues songs, or Hank Williams songs, and they're so simple and direct but they can convey some pretty deep ideas."

Although Back to Birth is Greene's first new solo release in five years, he's hardly been idle. In fact, he's spent much of the past few years engaging in a series of collaborative musical adventures that have teamed him with several notable veterans.

In 2013, Greene joined the reunited Black Crowes as lead guitarist on their worldwide tour, and the following year released the self-titled debut album of supergroup Trigger Hippy, which Greene is a member of along with Joan Osborne and Crowes drummer Steve Gorman. Greene continues to be a frequent member of Grateful Dead bassist Phil Lesh’s touring ensemble Phil Lesh & Friends, for which he has contributed lead guitar and vocals since 2007. Greene also toured as part of WRG, an acoustic trio with the Grateful Dead's Bob Weir and Black Crowes frontman Chris Robinson, and he performed with Levon Helm as part of Helm's fabled Midnight Ramble shows.

The same qualities that attracted such legendary figures to work with Greene are prominent throughout Back to Birth, which Greene and producer Berlin cut at Portland's Supernatural Sound with a sympathetic crew of mostly jazz-steeped players, with Greene stretching out on a number of instruments, including guitar, piano, organ and drums.

"This is the third album I've done with Steve," he says. "I've known him for about 12 years, and he's really good at challenging me and getting it out of me. We know each other well enough at this point that we can be blunt with each other, and he'll tell me that I'm full of it if that's what I need to hear."

The musical passion and creative integrity that drive Back to Birth have been constants in Jackie Greene's musical life from the start. While growing up in Northern California, he taught himself to play piano and guitar. His musical reference points shifted radically when, at the age of 14, he ran across a cache of his parents' vintage rock, country, blues and R&B LPs in the family's basement.

Still in his teens and inspired by his discoveries, Greene began writing songs and performing them at a local coffeehouse while recording his compositions in his makeshift garage studio and burning CDRs to sell at his gigs. He saved the money he made selling those discs to fund his debut album, the self-produced, self-released Rusty Nails. Despite being a D.I.Y. release with minimal promotion, the disc received substantial regional attention from fans and press alike.

His popularity led to a deal with a local independent label, which released his second album, Gone Wanderin', in late 2002. The disc won considerable national attention, leading to a series of national tours opening for the likes of B.B. King, Buddy Guy, Susan Tedeschi, Huey Lewis, Mark Knopfler and Taj Mahal.

Greene continued to win critical acclaim and expand his fan base with 2004's Sweet Somewhere Bound and 2006's American Myth. In 2007, Greene began moonlighting with Phil Lesh and Friends, while continuing his own musical evolution with his own releases Giving Up the Ghost and Till the Light Comes, released in 2008 and 2010, respectively.

"The musicians that I really admire and try to emulate are the ones who have the whole package: they're great songwriters, great singers and great instrumentalists, and they have a vibe about them that's real," he states, adding, "When I go to make a record, I'm not thinking about where I can fit in a bunch of guitar solos. I'm thinking, 'What does this song feel like? What's it saying?' So my goal, when writing a song or making a record, is to find the core of that emotional experience and convey that."

Although he's already racked up a multitude of impressive musical achievements, Greene isn't one to look back. Instead, he continues to look to the future - and looks forward to getting back on the road to bring Back to Birth's soulful songcraft to the loyal, wildly diverse fan base that he's built through talent, vision and hard work.

"I still plan on making a lot of different kinds of records in the future, but I can't tell you what they're going to sound like, because I really have no idea," he asserts. "All I can do is write songs and make music as honestly as I can. That's what I believe people appreciate about what I do. They trust me to be honest with them, and I'd never want to abuse that trust."
Venue Information:
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941
http://www.sweetwatermusichall.com/