Sarah Jarosz

2017 Two-Time Grammy Award Winner for "Best Folk Album" & "Best American Roots Performance"

Sarah Jarosz

Jordan Tice

Sat, May 27, 2017

Doors: 7:00 pm / Show: 8:00 pm

$28.00 - $32.00

This event is all ages

Sarah Jarosz
Sarah Jarosz
"I really like that word," Sarah Jarosz says of the title of Undercurrent, her fourth Sugar Hill album. "If you look up the definition, it's 'an underlying feeling or influence' or 'a flow of water moving below the surface.' To me, that really encompasses the feeling behind this record."

That evocative imagery is appropriate for Undercurrent, whose 11 original songs seem to reveal new lyrical depth and sonic nuance with every listen. A gifted multi-instrumentalist, a singularly expressive vocalist and a songwriter of rare insight, Sarah Jarosz has been described by The New York Times as "one of acoustic music's most promising young talents: a singer-songwriter and mandolin and banjo prodigy with the taste and poise to strike that rare balance of commercial and critical success."

Although it's her fourth album, Undercurrent is a milestone for Jarosz in more ways than one. It's her first release since graduating with honors from the New England Conservatory of Music, and her first since relocating to New York City.

"This is the first record I've made since being out on my own and experiencing a lot of changes, and I think that that's reflected in the songs," Jarosz explains. "It's also the first record I've ever made that feels to me like a complete thought, with a beginning, a middle and an ending. It's also the first time I've made an album that doesn't have any covers on it. I wanted it to feel like the rollercoaster ride that is life, so I put a lot of thought into sequencing the songs. It was important for me to start with light, and then go through darker times, and stubbornness and strength and weakness, and then end up on a hopeful note."

Undercurrent is a sublimely resonant song cycle anchored around a haunting quartet of songs written and performed solo by the artist: "Early Morning Light," "Everything To Hide," "Take Another Turn" and "Jacqueline." The album features several numbers co-written by Jarosz with a variety of collaborators who also contributed to the recordings, including Luke Reynolds ("Green Lights"), Jedd Hughes ("House Of Mercy"), Parker Millsap ("Comin' Undone") and Aoife O'Donovan ("Still Life"). The latter track features O'Donovan, of Crooked Still fame, as well as Nickel Creek co-founder Sara Watkins, Jarosz's bandmates in their extracurricular trio I'm with Her. Undercurrent also includes two songs co-written with the Milk Carton Kids' Joey Ryan, including the nostalgic "Back Of My Mind".
"When I visualize this record, I think of the Central Park reservoir, where I spent a lot of time getting inspiration and thinking about the album," Jarosz notes, adding, "It was the most focused I had ever been, in terms of trying to write every day and having a grander idea of what I really wanted to write, so I was able to enjoy the process of writing more than ever.
And it was a luxury to go to Nashville for two months to work on the record, because in the past I was always running back and forth between school, touring and the studio."

While Undercurrent is a creative landmark for Jarosz, she's been making music for most of her life. Growing up in Wimberley, Texas, she began singing in early childhood. Receiving a mandolin for Christmas when she was nine years old, she worked tirelessly to master the instrument, and learned to play guitar and clawhammer banjo along the way. When she was 11, she performed at her first bluegrass festival; over the next few years, she gained an impressive reputation as a young phenom on the festival circuit, absorbing a world of traditional influences while honing her own highly original songwriting sensibility.

"From an early age, I've had a strong desire to create music," Jarosz states. "I was also fortunate to be surrounded by older, accomplished musicians who were my mentors. From the very beginning, all of my heroes looked out for me and challenged me in the best ways. It was great being raised in music that way. I always felt completely supported, and I think that that attitude affected the way I approach music now."

In the summer of 2007, after performing at Colorado's Telluride Bluegrass Festival, Sarah met Sugar Hill Records A&R rep Gary Paczosa, who was impressed enough to invite her to Nashville to record some of her compositions. The following year, the 16-year-old artist signed with Sugar Hill and began work on her 2009 debut album Song Up In Her Head. Sarah's second album, Follow Me Down, arrived in 2011, and expanded the artist's sound as well as her fan base, while her tireless touring efforts won her new fans from across the musical spectrum.

2013 saw the release of Jarosz's third album, Build Me Up from Bones, which once again featured an expanded sonic and compositional palette. It also won Jarosz some of the most enthusiastic notices of her career, as well as Grammy nominations for Best Folk Album and Best American Roots Song. Jarosz toured to support Build Me Up From Bones for a good part of 2014, criss-crossing the US and making two trips to England, Scotland and Ireland. One of the highlights was her first appearance at the Cambridge Folk Festival.

Jarosz spent much of 2015 touring widely as one-third of I'm With Her, the mini-supergroup she shares with kindred spirits Sara Watkins and Aoife O'Donovan. "After singing my own songs for so many years, it was eye-opening to shift gears and be a part of something different," Jarosz observes. "We've only been a band for a year, but I've learned so much from it already, and I definitely brought some of those lessons to Undercurrent.
"I'm just trying to become more focused and more honest, and trying to be a better listener and observer of the world around me," she asserts. "That's what I tried to do on Undercurrent, and I'm really pleased with how true this record feels to me. In some ways, it feels like my first record, in the sense that it was the first time I could focus all of my energy on it. Everything felt like it was leading to this moment."
Jordan Tice
Jordan Tice
Jordan Tice is a singular voice on the American roots music scene. Over the last ten years, he has developed a reputation as a unique and versatile guitarist and prolific composer of some of the most thoughtful and well-crafted tunes of his generation. Jordan has a voice and sonic aesthetic that is all his own with which he filters the sounds and conventions of American Music into something unique. On his latest release, “Horse County”, he also demonstrates a unique voice as a songwriter and singer in addition to his known guitar and tune-crafting skills.

Born into a bluegrass family in Maryland, Jordan started early, playing bluegrass and fiddle tunes with some of the best players in the fertile mid-atlantic bluegrass scene. He also stayed busy playing rock and roll with his peers as well as studying jazz and classical guitar and composition in college. He released his first solo record of mostly original music at the age of 17 called “No Place Better” (2005) to critical acclaim within the bluegrass world. He quickly followed it up with “Long Story” (2007) a collection of original instrumentals that featured an all-star band of Noam Pikelny on banjo, Casey Driessen on fiddle, Andy Hall on dobro, and Mark Schatz on bass. The collection of adventurous yet deeply musical tunes solidified his reputation as being one of the most thoughtful and creatively driven personalities on the acoustic music scene and as a composer, player and bandleader capable of leading veteran musicians into uncharted waters. With his next release, “The Secret History” (2011), Jordan further pushed the limits of the absolute expressiveness of an acoustic ensemble. This outing, featuring Paul Kowert on bass and Simon Chrisman on hammered dulcimer, contained longer more through-composed pieces that despite their length never lost sight of the colorful hooks and beautiful and humorous sentiments that define Jordan’s work.

The development of Jordan’s creative work as a solo artist is only one narrative that defines his career. Since first busting onto the scene, he has also been an active sideman with progressive bluegrass pioneers like Frank Wakefield, Mark Schatz and friends, and Tony Trischka, lending his guitar playing to their endeavors both on stage and in the studio. He also contributed his mandolin playing skills to the Dave Rawlings Machine record “Nashville Obsolete” (2015), toured with the Canadian folk group, The Duhks, and worked with actor/comedian Steve Martin on his re-imagining of the Shakespeare play “As You Like It” for New York City’s “Shakespeare in the Park”.

Bridging the sideman and bandleader gap, Jordan is an active collaborator as well. His record “Corbett Chrisman Tice” (2008) with hammered dulcimer player, Simon Chrisman and banjoist, Wes Corbett was hailed as one of the top 5 records of the year by the Chicago tribune in 2008. Since 2014 he has worked closely with fiddler Brittany Haas (Crooked Still, Dave Rawlings Machine) and bassist Paul Kowert (Punch Brothers, Dave Rawlings Machine) in the trio Haas Kowert Tice. They released their debut record “You Got This” in 2014 and are set to release another in fall 2016.

This brings us to the present and Jordan’s latest release, “Horse County”. Horse County is not a real place and in fact there is nothing else called Horse County in the world. The record is Jordan’s first to feature his singing and original songs in addition to his picking and tune-writing. The 11 tracks (6 songs and 5 instrumentals) combine many American folk music conventions with Jordan’s eccentric harmonic, melodic, and lyrical sense. The songs seem to be written by someone who has been at it their whole life and each one explodes with craft, color, and personality. “Chicken Dog” calls to mind the wilder and weirder side of Roger Miller; “Poor Me” and “Runnin Back to You” recall the snarky acerbic bite of Bob Dylan; “Way Downtown” and “Didn’t Think I was Gonna” call to mind the chatty hooks of John Hartford combined with the masterful harmonic and melodic craft of Jimmy Webb or Neil Young. “Live on the River til’ I Die” is a 6 minute epic story song about adventure and regret. The instrumentals are some of Jordan’s best. The title track is a raging bluegrass burner, “Craig” is a humorous take on the flat picking rags of Norman Blake and Doc Watson, and “A Cool Dog” and “Various Sauces” recall some of the achingly beautiful melodies and interesting harmonic turns we’ve come to expect from Jordan from his earlier instrumental releases. The solo guitar piece “Horse County Rag” is a manifestation of Jordan’s recent interest in the rag-time guitar pieces of Blind Blake and Reverend Gary Davis; with his own spin on the genre of course. All the material is inspired, the playing is superb, and the arrangements and sequencing are airtight.

The band on “Horse County” is also top-notch and includes such first call players as Paul Kowert (Punch Brothers) on bass, Dominick Leslie (Deadly Gentlemen) on mandolin, Mike Witcher (Peter Rowan) on dobro, Brittany Haas (Crooked Still) and Shad Cobb on fiddles, and Noam Pikelny (Punch Brothers) on banjo. The record was recorded by guitarist Chris Eldridge who also, along with Jordan, co-produced the session.

Jordan will be hitting the trail with a band to play the material from the record in 2016 so be sure to keep an eye out.
Venue Information:
Sweetwater Music Hall
19 Corte Madera Ave.
Mill Valley, CA, 94941
http://www.sweetwatermusichall.com/